CARTIER: Melbourne Winter Masterpieces® 2026 at the National Gallery of Victoria belongs firmly in the latter.

Exclusive to Melbourne, this Australian-exclusive presentation brings together nearly 400 extraordinary jewels, timepieces and precious objects, alongside original design drawings, sketchbooks and archival photographs that reveal the creative journey behind one of the world’s most celebrated jewellery houses. Created by the Victoria and Albert Museum, London, in partnership with the National Gallery of Victoria and in collaboration with Cartier, the exhibition explores the Maison’s remarkable evolution through more than 125 years of exceptional creations.

Walking through its galleries feels less like visiting an exhibition and more like stepping inside the history of one of the world’s greatest jewellery houses. Thoughtfully curated and beautifully presented, every room reveals another chapter in Cartier’s remarkable story, reminding visitors why the Maison continues to define the language of high jewellery.

Founded in Paris in 1847 by Louis-François Cartier, the Maison has spent nearly two centuries shaping jewellery history through exceptional craftsmanship, technical innovation and an unrivalled appreciation for extraordinary gemstones. This exhibition captures that legacy beautifully.

A Grand Welcome

The journey begins with a magnificent tiara welcoming visitors into the world of Cartier. It is an elegant introduction to what lies ahead, immediately setting the tone for an exhibition filled with history, craftsmanship and remarkable gemstones.

The Early Years

Among the earliest masterpieces is the exquisite Lily stomacher brooch from 1906 along with stomacher brooch 1913, showcasing the refined elegance that defined Cartier’s early twentieth-century creations.

Soon after comes the celebrated Berenice Tiara, completed in 1925 and centred on an extraordinary 141-carat Mughal emerald. It is a remarkable example of Cartier’s ability to transform historically significant gemstones into timeless works of art.

Cartier’s Golden Age

The 1930s are particularly well represented throughout the exhibition, reflecting one of the most creative periods in Cartier’s history.

One of the highlights is the spectacular 143-carat carved emerald necklace created in 1932 for Beatrice Mills, perfectly demonstrating the Maison’s fascination with exceptional gemstones.

Nearby, visitors encounter the celebrated jade necklace commissioned for Barbara Hutton, alongside the magnificent 148-carat diamond necklace created in 1934 for a member of the Sassoon family.

Then comes one of Cartier’s most recognisable design languages: Tutti Frutti.

Created in 1936 for the legendary Daisy Fellowes, the necklace is a masterpiece of color and imagination. Incorporating gemstones from her own Tutti Frutti bracelet, it combines more than 240 carats of sapphires with carved emeralds, rubies and diamonds. In 1963 her daughter Comtesse de Casteja remodelled the necklace with Cartier.

Legendary Clients, Legendary Jewels

As the exhibition progresses, so do the extraordinary stories behind Cartier’s most celebrated commissions.

Elizabeth Taylor’s iconic ruby and diamond necklace from 1957 is among the unforgettable highlights.

For me, however, the undeniable star of the exhibition was the extraordinary serpent necklace created in 1968 for María Félix.

Set with 178 carats of diamonds, the articulated snake is one of Cartier’s most iconic creations, embodying both technical mastery and fearless creativity.

Nearby, another legendary commission for the Mexican actress commands equal attention: her famous crocodile necklace, completed in 1975 and set with 66 carats of emeralds and 60 carats of fancy yellow diamonds. These extraordinary pieces perfectly capture the unique relationship between Cartier and its most visionary clients.

The exhibition also presents faithful recreations of two of Cartier’s most celebrated commissions: the legendary Patiala Necklace and the magnificent Toussaint Necklace, allowing visitors to appreciate two creations that have become part of jewellery history.

A Fitting Finale

The exhibition concludes with what is undoubtedly one of its most breathtaking galleries: a room dedicated entirely to Cartier tiaras.

Although spanning more than a century of design, seeing these creations brought together in one space is a fitting finale to the exhibition.

Among my personal favourites is the radiant Sun Tiara, created in 1907, alongside one of Cartier’s most recent masterpieces, the emerald cabochon tiara completed in 2017 and centred on an extraordinary 140-carat emerald.

Standing before these creations, it becomes clear that Cartier’s approach to jewellery has always been about far more than precious materials. It is about imagination, craftsmanship and creating objects that transcend generations.

Beyond the individual jewels, what makes CARTIER: Melbourne Winter Masterpieces® 2026 so memorable is the way it tells Cartier’s story through its creations. These are not simply beautiful objects displayed behind glass. They are witnesses to history, symbols of extraordinary craftsmanship and expressions of the remarkable relationships between Cartier and some of the world’s most influential collectors.

Whether you are captivated by exceptional gemstones, fascinated by jewellery history or simply appreciate beautiful craftsmanship, this is an exhibition that deserves to be experienced.

This is not simply an exhibition of jewellery.

It is an exhibition of excellence.

I am going to attend Singapore International Jewelry Expo 2015 which takes place from July 2nd-5th at Marina Bay Sands Convention & Expo Centre Halls A & B. I will be there in the capacity of Champagne Gem to conduct interviews, sharing photos live on my Instagram account and in general cover the expo on social media to keep my followers up to date on what is happening with jewelry industry.

This is a very exciting opportunity for me to see all the jewelry pieces in person and have a better perspective on how each of them is made and the craftsmanship and the skills that have gone through making them.

In the meantime, I started a campaign by sharing the photos of the confirmed exhibitors to give you an idea of what to expect while I will be in Singapore. You can check them out on my Instagram account by using following hash tags:

#ChampagneGemIsGoingToSingapore

#SIJE2015

#SingaporeInternationalJewelryExpo2015

 Below you can find few selected photos of the exhibitors, and stay tuned for more…

See you soon Singapore!

xxx

Bebe

* While attending the SIJE keep in mind that if you make any purchases during the expo using your VISA card, you can be eligible to participate in the Sunday Lucky Draw! For more information check: www.sije.com.sg

De Gem Ruby & Diamond brooch is the 1st prize of the Sunday Lucky Draw on July 5th at SIJE 2015 and worth S$10,000!

Aquamarine & Diamond earrings by Zydo Italy worth S$8,800 are the second prize for Sunday Lucky Draw on July 5th at SIJE 2015

70.50ct crystal Geodes & Tanzanite earrings by Simone Jewels worth S$5,800 are the third prize at Sunday Lucky Draw on July 5th at SIJE 2015

Azar Gems

Azar Gems

Istanboulli Gioielli

Kavant & Sharart

Massimo Raiteri

Mor Brothers

Renee Jewellers

Yoel Deil Diamonds

Yoel Deil Diamonds

Belford Jewellery

Karatise DMCC

Chakra Fine Jewellery

Dilys’ Collection

Happy Jewellery

Mira Style

Renelle Jewellery